Thursday, August 14, 2014

2014: Sedona, August Dawn (photograph)


2012: Notation on a Mountain


2014: Cut-Collage


2012: 氣 (Qi)


2011: Chromatic Influence and Play




2011: Mandala influenced by Indigenous peoples of the Pacific Northwest


2007: Moon Painting (detail 2)


2007: Moon Painting: (detail 1)


2000: Tree Sculpt (fired clay)


2007: Moon Painting


2013: Felt-Tipped: Trees and Stars and Earth


2013: Homage to Robert Rauschenberg (erased graphite)


2013: Poem to the Fates: Klotho, Lachesis, Atropos


2012: Rhizome of Land River and Fire (Mixed Media)


1996: तपः Tapaha: Focus


1996 Watercolor influenced by meeting Beatrice Wood


1996: Flower Mandala


1996: Crow Current


1995: Orphic Egg in Doorway


1995: Epiphany


1995: Chromatic Aperature


1995: Sunflower: 幽玄 (Yugen)






I had just returned from Chicago in 1995.  I had studied for a semester a course in oil painting with the Art Institute of Chicago.  I had been influenced by my friend, Justin Ivan Locke, who had shared a home with me for 9 months.  Locke is a fine artist whom I had met at Colorado College: his work, which covered areas of psychological content and evocative depictions of natural landscape, always conveyed a haunting atmosphere.  I was also influenced deeply by the print-making course offered by Professor Louise Lafond at the Colorado College.

My works are Jungian in origin: I have been influenced by the writing and work of CG Jung since watching my father read his books as a child.

One aspect of this image of the Sunflower would be akin to the Japanese understanding of Yugen:





幽玄





Yugen can be understood through the image of a flower emerging from a stone


















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